The Podcast Asylum

Podcasting for Dummies
Tee Morris and Evo Terra
Wiley Publishing, 2006
Paperback, 340 pages
ISBN 0-471-74898-6
MSRP: US$21.99

Disclosure/Disclaimer: I was a Tee Morris fan before I read this book. I still am. So obviously I was predisposed to like it.

Wiley Publishing’s ‘For Dummies’ series is wildly popular in spite of the fact that most of us don’t like to think of ourselves as Dummies. Fortunately, this book works just fine for smart people who don’t happen to know much about podcasting, and there’s a great companion podcast by Tee Morris. (Season 1 contains 20 episodes; Season 2 will accompany the sequel, which has the unlikely title of Expert Podcasting Practices for Dummies.)

The book is both readable and comprehensive, and includes plenty of humor (and not just in the cartoons before each section). I could do without the font used for the subheadings, but at least it’s legible, and I presume they chose it to convey friendliness. Podcasting for Dummies walks you through the basics of choosing your equipment (microphones and mixers), using audio editing software, podcast blogs, RSS, bandwidth and hosting—and that’s just chapter 2!

It was Podcasting for Dummies I turned to when I needed to know how to put a music ‘bed’ under a voice recording. (I later used that knowledge to record a comment for Tee Morris’ podcast, The Survival Guide to Writing Fantasy.) The explanation of bit rates, sample rates, and ID3 tags should be required reading, and the chapter on XML and RSS is a useful reference for moments when feeds won’t validate. Indeed, the traditional ‘For Dummies’ design makes it easy to use the book as a reference on any of the topics covered.

The final section of the book is a series of Top Tens (types of podcast, most influential people in podcasting, reasons why podcasting won’t kill radio—and reasons it will). Some of these lists, like specific links and details about software, may become obsolete quickly, but the principles remain sound and neither audio editing nor ID3 tags are going away any time soon.

Many of the example podcasts used in the book relate to science fiction, reflecting the interests of the authors, and there’s a wee bit of Macintosh bias in the screenshots. (Why are so many podcasters Mac users?) Those are just observations, though, not criticisms, and the inclusion of podiobooks.com is a boon to would-be podcasters who are either published or unpublished authors.

One thing that is missing, at least from the first edition (I think I have the first edition, though they were up to the third printing by the time I got my copy at the PME last year), is any discussion of PodPress, the popular WordPress plugin for podcasting (used on this site for the Reports from the Asylum). Of course, PodPress was much less sophisticated at the time the book was written, and WordPress hadn’t yet opened up the WordPress.com hosted service.

It will be a great relief when the sequel to this book appears and Tee Morris can get back to podcasting.

SRG